Malaysia’s film industry has secured a major regional triumph as Papa Zola The Movie officially concluded its theatrical run in Indonesia after 35 days in cinemas nationwide, emerging as the No.1 Malaysian film in the republic’s market.
The film drew an impressive 515,000 viewers throughout its run, a milestone that underscores the growing appeal of Malaysian productions beyond domestic borders. More significantly, it ranked among Indonesia’s Top 3 films in early 2026 — a rare feat for a foreign title in one of Southeast Asia’s most competitive cinema landscapes.
Indonesia, with its population of more than 270 million, represents a critical benchmark for regional box office success. For a Malaysian production to command such numbers reflects not only effective distribution strategies but also the film’s resonance with audiences across cultural lines. Industry observers note that Malaysian films have long sought stronger penetration into the Indonesian market, and this latest achievement signals a meaningful breakthrough.

Strong regional momentum
The Indonesian accomplishment builds on the film’s earlier box office dominance at home and in neighbouring territories. In Malaysia, Singapore and Brunei, Papa Zola The Movie performed robustly, driving total box office earnings past RM69 million to date.
Such figures place the production among the most commercially successful Malaysian films in recent years. The sustained audience turnout across multiple territories demonstrates the film’s broad demographic appeal and the effectiveness of its marketing campaign. It also reflects a maturing regional ecosystem where Southeast Asian films increasingly circulate across borders with fewer barriers.
The cumulative performance illustrates Malaysia’s capacity to produce commercially viable titles capable of competing within a crowded entertainment landscape that includes Hollywood blockbusters, Indonesian hits and South Korean imports.
Expanding to global markets
Riding on its regional success, the film is preparing for an ambitious international rollout. It is scheduled to open in Saudi Arabia, Kuwait and the United Arab Emirates in late April 2026, followed by South Korea and Türkiye in May, and Vietnam and India in June.
To strengthen its global reception, the production will feature localized voice acting in multiple major languages, including English, Korean, Arabic, Hindi, Turkish and Vietnamese. Beyond straightforward translation, the creative team has adapted dialogue, humour and cultural references to better align with each target market — a strategic move that reflects increasing sophistication in Malaysia’s export approach.
The Indonesian response has reinforced confidence that compelling storytelling rooted in local identity can travel successfully across borders. As the film heads into the Middle East and East Asia, expectations are high that it will further elevate Malaysia’s profile in the global film arena, cementing its place as one of the nation’s most successful overseas releases to date.









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